James R Ford, Snake Pi (version 2), 2011
A faux snakeskin effigy of the pi symbol, measuring 3.14 metres in height and 3.14 metres in width.
Plywood, polystyrene, vinyl, 3.14 x 3.14 m
Photograph © Shiraz Ksaiba
© the artist, courtesy of CHRISTIAN FERREIRA, London
JAMES R FORD
Air of the Irrational
Until 11 September 2011
CHRISTIAN FERREIRA is delighted to present new work by gallery artist, James R Ford in the Accumulator Tower of the Wapping Hydraulic Power Station.
In Air of the Irrational Ford presents new works from his Snake Pis series. These works explore properties of the universe and its random nature. The first Snake Pi was born from the idea of the Heisenberg uncertainty principle and quantum mechanics – the way that particles can pop in and out of existence, taking on unobservable random forms and assemblages of molecules. There is therefore just as much chance for a snake curled into the shape of pi (an icon of mathematical randomness) to occur as any other object. Snake Pi (version 1) was a hand-made, stuffed snake, exhibited flopped and twisted on the floor of the gallery. The irony in Ford presenting this as an art object cannot go unnoticed; the snake which should be a product of chaos is introduced as an art object sitting ambiguously between fields. The idea was developed into a series of works to explore properties of objects using the value and motif of pi, paired with variations of the snake.
Snake Pi (version 2) is a 3.14 x 3.14 metre sculptural manifestation of the pi symbol, clad in snakeskin. Strung up in the industrial setting of the Accumulator Tower like a prize catch, or a behemoth Gucci accessory in the waiting. There is a playful association with the ladder in close proximity, but also one of a sombre nature – the chains supporting the work and the bars and grills in the space conjure a dungeon or place where this monster is being caged.
The snaking, oscillating nature of sound waves was bound to form part of the Snake Pi series. Alongside the large Snake Pi (version 2) in the tower space is the unassuming Snake Pi Recital. The work is an audio recording: the number pi recited to 1000 decimal places in a snake dialect. The raspy voice and monasteric tone almost lull the listener into a snake charmer’s hypnotic state.
James R Ford was born in 1980 in England and now lives and works in Wellington (NZ). He graduated from Goldsmiths in 2005 and has exhibited internationally. Ford has work in the permanent collections at the Moderna Museet (Sweden) and The James Wallace Arts Trust (New Zealand) and has co-written and illustrated the book House Gymnastics.
A faux snakeskin effigy of the pi symbol, measuring 3.14 metres in height and 3.14 metres in width.
Plywood, polystyrene, vinyl, 3.14 x 3.14 m
Photograph © Shiraz Ksaiba
© the artist, courtesy of CHRISTIAN FERREIRA, London
JAMES R FORD
Air of the Irrational
Until 11 September 2011
CHRISTIAN FERREIRA is delighted to present new work by gallery artist, James R Ford in the Accumulator Tower of the Wapping Hydraulic Power Station.
In Air of the Irrational Ford presents new works from his Snake Pis series. These works explore properties of the universe and its random nature. The first Snake Pi was born from the idea of the Heisenberg uncertainty principle and quantum mechanics – the way that particles can pop in and out of existence, taking on unobservable random forms and assemblages of molecules. There is therefore just as much chance for a snake curled into the shape of pi (an icon of mathematical randomness) to occur as any other object. Snake Pi (version 1) was a hand-made, stuffed snake, exhibited flopped and twisted on the floor of the gallery. The irony in Ford presenting this as an art object cannot go unnoticed; the snake which should be a product of chaos is introduced as an art object sitting ambiguously between fields. The idea was developed into a series of works to explore properties of objects using the value and motif of pi, paired with variations of the snake.
Snake Pi (version 2) is a 3.14 x 3.14 metre sculptural manifestation of the pi symbol, clad in snakeskin. Strung up in the industrial setting of the Accumulator Tower like a prize catch, or a behemoth Gucci accessory in the waiting. There is a playful association with the ladder in close proximity, but also one of a sombre nature – the chains supporting the work and the bars and grills in the space conjure a dungeon or place where this monster is being caged.
The snaking, oscillating nature of sound waves was bound to form part of the Snake Pi series. Alongside the large Snake Pi (version 2) in the tower space is the unassuming Snake Pi Recital. The work is an audio recording: the number pi recited to 1000 decimal places in a snake dialect. The raspy voice and monasteric tone almost lull the listener into a snake charmer’s hypnotic state.
James R Ford was born in 1980 in England and now lives and works in Wellington (NZ). He graduated from Goldsmiths in 2005 and has exhibited internationally. Ford has work in the permanent collections at the Moderna Museet (Sweden) and The James Wallace Arts Trust (New Zealand) and has co-written and illustrated the book House Gymnastics.
CHRISTIAN FERREIRA
The Wapping Project
Wapping Hydraulic Power Station
Wapping Wall
London E1W 3SG
M: +44 07792531226
CHRISTIAN FERREIRA
Read On... CHRISTIAN FERREIRA, London
The Wapping Project
Wapping Hydraulic Power Station
Wapping Wall
London E1W 3SG
M: +44 07792531226
CHRISTIAN FERREIRA
Read On... CHRISTIAN FERREIRA, London
